welcome to my fashion blog

بازدید :312
سه شنبه 10 اسفند 1395زمان :9:23
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Paris Fashion Week for autumn/winter 2016 collection previews. — AFP pic
(Photo: http://www.marieaustralia.com/mermaid-trumpet-formal-dresses)

Fashion Week kicks off in Paris today with all eyes on the game of musical chairs underway at top labels, while several designers will send models down the city’s catwalks for the first time.

It’s a shorter week this year, at eight days instead of the usual nine, and there will be just 82 shows of fall and winter collections compared with 91 in September.

But there are three new faces this time around: the Shanghai-based Uma Wang and the French brands Jour/Ne and Atlein.

A highlight of the week will be the final show for Clare Waight Keller at Chloe before the British designer heads to new adventures at the end of March.

Chloe’s owner, the Swiss luxury conglomerate Richemont, has yet to name a replacement.

Another seat is also waiting to be filled at Givenchy, which the Italian designer Riccardo Tisci left in January after a 12-year run.

With no designer at the helm, Givenchy won’t be showing in Paris this week, nor will Carven as it waits for Swiss designer Serge Ruffieux to settle into his new role.

New formulas

Recent shows in New York and London were peppered with politics, and Paris might not escape the trend as the French presidential election looms.

The shows have already become events that aim to go beyond the catwalk, as brands experiment with new formulas to stand out in a market upended by digital media.

The traditional formats are being reworked: Women’s and men’s shows at the same time, virtual reality displays, ready-to-wear mixed with haute couture — and the “see now, buy now” phenomenon, which so far Paris has done its best to resist.

“Everyone is trying to find the answer that works best for them,” said Pascal Morand, head of the French Couture Association.

But for many labels, the shows remain crucial tools for putting designs in front of new audiences.

“It’s exactly like concerts, which are even more important today. The sensory experience can’t be reproduced with virtual reality,” Morand said.Read more at: red formal dresses



مشاهده پست مشابه : تاریخ تاسیس وبلاگ نیوزدی
بازدید :388
جمعه 6 اسفند 1395زمان :10:31
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Olivine Gabbro President Sue Neumann, left, Designer and Creative Director Grace Kang, center, and Asst. Creative Director Gracie Wills pose by the Olivine Gabbro clothing line displayed at Richards in Greenwich, Conn. Thursday, Feb. 23, 2017. The Greenwich-based women's fashion design brand, which has been featured in several New York Fashion Weeks and worn by stars attending the Oscars, formally launched its new partnership with Richards Thursday. Photo: Tyler Sizemore / Hearst Connecticut Media / Greenwich Time
(Photo: formal dresses online australia)

A bold, bright orange exclamation mark on a glass plaque announces a new addition to Richards’ women’s clothing offerings.

Since late January, when Greenwich-based women’s fashion brand Olivine Gabbro closed its Greenwich Avenue storefront and formed a partnership with Mitchells stores, the brand’s designs have been on display on the second floor of Richards, a few blocks away.

Olivine Gabbro’s debut New York Fashion Week show last fall set off a nonstop flurry of activity for Grace Kang, Olivine Gabbro designer and creative director.

She hoped exposure gained from participating in one of the world’s premier fashion industry events would prompt company growth, she said at the time, and things seem to be falling into place as she hoped.

Her decision to work with Mitchells meant scaling up production from roughly 30 garments bi-weekly to around a 100, she said at her launch event in Richards Thursday. An in-house team once sufficed, but the growth led to her working with a manufacturing facility in Manhattan.

This year also brought her second New York Fashion Week appearance, in which she used only Greenwich moms who’ve been her clients as models, as well as another red carpet event where her designs will be under the spotlight. Harper’s Bazaar Executive Fashion and Beauty Editor Avril Graham will, for the second time, wear an Olivine Gabbro design to the Academy Awards on Sunday.

As if the designer wasn’t busy enough, she’s also planning a fashion show at Greenwich’s Brunswick School, where she will style the mother models while their young sons will be outfitted in Vineyard Vines and older males by Richards.

“We’re so lucky to have all this opportunity and exposure,” Kang said.

For years, Richards has been referring clients to Kang and her team at Olivine Gabbro, she said, and her business partner and aunt, Sue Neumann, said they’ve long admired Richards’ success. Thus, the budding relationship between the two family-owned brands seems like a natural fit, they said.

“They want to help build us and our brand,” Kang said, “which we’re really grateful for.”

How Mitchell stores will incorporate Olivine Gabbro’s designs is still in flux, but for now, Greenwich’s Richards hosts the brand’s core collection and offers its team space to meet with clients while Kang has a trunk show at the Mitchells in Westport. Her core collection also appears in Mitchells’ Wilkes in San Francisco with the opportunity to expand to more stores.Read more at: http://www.marieaustralia.com/bridesmaid-dresses

بازدید :365
چهارشنبه 4 اسفند 1395زمان :10:06
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welcome to my fashion blog
(Photo: white cocktail dresses)

Vogue Magazine’s March’17 issue was meant to be a celebration of diversity and a step in the right direction but unfortunately old habits die hard and the publication only managed to shoot itself in the foot in its attempt. In a widely criticised cover, the US magazine featured Imaan Hammam, Liu Wen, Ashley Graham, Adwoa Aboah, Vittoria Ceretti, Gigi Hadid and Kendall Jenner in matching black turtle necks and swimwear bottoms but Graham was the only model whose hand covered her thigh while all others embraced. Not only did Graham’s hand cover her thigh, Hadid’s hand was grotesquely photoshopped in a bid to reach Graham’s stomach to provide the plus sized model extra cover.

There’s another Karlie Kloss as a geisha guffaw in the same issue but we’re not here to talk about the problems in the West’s depiction of diversity, especially when dialogue about diversity in local fashion can hardly be found.

As part of colonial baggage that we still carry, Pakistan and to be fair, the sub-continent as a whole fetishizes the Caucasian standard of beauty. Long limbs, fair complexion, pale features signify what the country prizes as beautiful. No matter that more than half our country doesn’t even remotely fit the bill but people (most women) feel so pressured to even embody a single characteristic that they’ll brave arsenic poisoning for fair skin.

In all this, fashion can and should use its platform to champion the cause of diversity and shift away from damaging stereotypes instead of perpetuating them. The recently concluded New York Fashion Week saw the most number of plus sized models walk the runway. An ex-felon, transgendered models, and a hijabi model all walked the runway this season. Inclusivity seemed to be this season’s favourite trend but came with a promise of sticking around longer than a fad.

Where do local fashion runways rank in this regard? There’s plenty of drama and entertainment but hardly a thought towards diversity or ethnic inclusion. In a country characterized by darker skin tones, you’ll barely see dusky models. The tan models who have managed to make it to the top can literally be listed on the fingers of a single hand. Not only do darker models find it harder to break into the industry, the ones who do often find themselves whitewashed, quite literally. A liberal editing of skin tone will often see the dusky Amna Ilyas, or another other tan model for that matter, looking fair enough to pass for a European, is common practice by brand and photographers.

However, the model, Ilyas herself has managed to break the glass ceiling. In a much appreciated acceptance speech a few years ago, upon winning the Model of the Year award at the LSAs, Ilyas spoke about her travails as a darker model in the industry. She referenced her struggle in being taken seriously due to her skin colour when the irony is that those who turned her down for it would probably fall on the same colour spectrum themselves.

Apart from skin colour, we also seem to lack diversity in our body type representation. All ateliers will make couture in the standard, super skinny and tall size. Ask any stylist and they will tell you that finding clothes in Pakistan for any celebrity who might not be Mehreen Syed skinny can be an ordeal. The profusion of high street retails stores also barely carry articles for petite or plus sized women. At least however, our designers will happily customize a dress for a celebrity with sizing specifications, unlike what has emerged to be the case in several instances abroad (Leslie Jones couldn’t find a designer to dress her for the Ghost Busters premier, anyone?). Ordinary women who might be vertically impaired (read short) or wide hipped though have no such provisions and are made to feel less than adequate on each sartorial venture.

It is also important to point out though that simply appropriating a social movement and using its message to sell your product doesn’t mean you’re supporting the cause or promoting diversity. A recent campaign by a lawn brand aimed to not only use feminist ideology but also cash in on the corporate social responsibility angle by releasing a campaign about self-acceptance and being comfortable in your skin. While the campaign is well intentioned and aims to send a positive message, they’ve managed to commit a similar error as Vogue.

Their campaign features gorgeous women, including the stunning Ilyas, talking about accepting themselves. The slick production and hyped glamour counter the authenticity of the message just as their use of flawless women talking about perfection cannot be imagined to give greater confidence to those struggling with self-esteem issues.

A brand that does well with their adoption of social themes is Generation. Whether it’s the use of real women in their social media campaigns or their yearly breast cancer awareness campaign, the brand has cultivated a sincere image of caring about the message it projects and it pays off in terms of how the audience perceives them. Generation also regularly features Zara Abid as the face of their brand, without photoshopping her to look fair.

However it would be heartening to see other brands also take up the baton and adopt a less commercial minded and more inclusive approach. You don’t have to design a campaign around it and scream it from roof tops but acting upon diversity would have greater impact than making an ad about it. If the girls from Girls at Dhabas only sat around talking about how patriarchy has hijacked public spaces instead of actually going out and engaging with the space and its current occupants, they wouldn’t be able to claim any legitimacy. When it comes to civics and social movements, the action is just as important or impactful as the intent.

Considering how much influence the fashion industry has managed to garner in recent times and the reach it has acquired thanks to social media, it is imperative that we use our position to promote a more diverse and tolerant outlook. It is mentality that might begin superficially but seep into the sub-conscious to produce a tolerant nation, a quality urgently required by our people.Read more at: formal dresses online australia

بازدید :349
دوشنبه 2 اسفند 1395زمان :8:01
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What is it about transgender people, or cross-dressers for that matter, that frightens conservatives and Bible-thumpers to the point of assuming they are criminals in disguise?

Republicans went apoplectic with age a year ago when President Barack Obama introduced a directive instructing US public schools to allow transgender students to use bathroom facilities and locker rooms according to their gender identity, as opposed to their biological gender. A number of federal judges ruled against the implementation of the directive.

Now we have that guardian of moral certitude in the Philippine Senate, Manny Pacquiao arguing, with such intellectual acuity, that supporting an anti-discrimination bill such as the one introduced by his colleague Sen. Risa Hontiveros, would provide protection so that cross-dressing would not be used to commit crimes, according to an Inquirer news report.

Pacquiao’s argument against a proposed legal enactment was based not on the law, not even on fact, but on that immutable arbiter of all things supposedly handed down by some voice in the wilderness thousands of years ago: the Bible.

The Bible says there are only two genders, the boxer moonlighting as a politician declared, male and female. Men dressing as women, women dressing as men, men and women taking hormones to transition to the opposite sex or having gender reassignment surgery in order to live and be the gender they identify with, must adhere to the gender into which they were born.

This intransigence, this refusal to see nuances in nature, even in gender, is silly, short-sighted and sad. The insistence on regarding them as more prone to crime and moral turpitude is just plain stupid.

To quote the Christian senator, “Ano ba gagawin natin diyan na nagdamit babae yung lalaki tapos nabigla yung lalaki na lalaki ka pala, eh pinatay, (What will we do if we have a man dressed as a woman only to surprise her partner that she was born a man, then kills her)” referring to the case of Joseph Scott Pemberton who killed Jennifer Laude, who was a transgender picked up by the American military man in Subic, Zambales in 2014. Pemberton allegedly murdered Laude after he discovered he had been deceived—Laude was actually a man, not a woman.

Pacquiao believes, because the Bible tells him so, that men should dress as men and women should dress as women. I’m not sure what he’d make of David Bowie, Prince, Madonna, or any number of artists who have subverted gender rules, sartorially speaking, in order to make a point about the fluidity of sexual identity.

He also seems overly concerned “that women’s clothes could be used by men to commit crimes such as fraud.”

Just as rape cases are caused by rapists, and not short skirts, or excessive drinking, or flirtatious behavior, crimes are caused by criminals. Criminals may choose to rob a bank wearing a mask or a dress—or both—but a cross-dresser or a transgender does not automatically possess criminal tendencies because he or she dresses differently from what may be deemed acceptable according to biological gender.

In the case of Laude, Pacquiao seems to lay the blame for her own death squarely at her feet, considering her failure to disclose to Pemberton beforehand that she still had a penis as leading to her tragic fate at the hands of the soldier.

“Jennifer also was at fault because he did not say he was a man,” he said, demonstrating exactly why the Anti-Discrimination Bill championed by Hontiveros needed to be passed urgently.

Hontiveros said, “She was just being true to her person and the one at fault was Pemberton as ruled by the court. He hurt and killed Laude. So let us not resort to victim-blaming.”

Just as the opponents of the bathroom ordinance in the United States were ridiculously misguided in insisting that it would open a Pandora’s box of pedophilia and sexual assault because males dressed as females would be able to enter women’s bathrooms.

A report in Time Magazine demolished many of the myths that underpin the hysteria surrounding the bathroom issue. For instance, sexual assault is sexual assault and is therefore a crime regardless of the reason why someone may claim they entered a woman’s space.

“If you are a man who dresses as a woman and goes into a bathroom and commits a crime,” says the Human Rights Campaign attorney Cathryn Oakley, “whether you have a non-discrimination protection on the basis of gender identity or not, that behavior is illegal and criminal and you could be arrested and go to jail.”

Most of the arguments against the bathroom ordinance are just plain prejudice. In fact, statistics point to transgender people being more likely to be victims rather than the victimizer. “What is really unacceptable,” says HRC’s Oakley, “is we’re pinning [these fears] on people who are, in fact, themselves incredibly vulnerable in bathrooms.

It’s unfortunate that the likes of Manny Pacquiao choose to be consumed by their fear and myopia instead of trying to understand the unique and complex situations transgender people often find themselves in. Yes, it is a big leap for many to grasp that gender identity is not a binary, or that gender identity and sexual orientation may not always necessarily correspond. They seem to regard the decision to transition to another gender as one lightly and frivolously taken, that one day a boy wakes up and decides to dress up as a girl and enter a woman’s bathroom for fun. They don’t seem to realize the internal and societal challenges a transgender person struggles with every single moment of the day, every day of their lives until they finally have the freedom, and the protection of the law, to live in safety and express themselves according to the gender they identify with. Considering that transgender people have been killed for doing just that, Pacquiao and his band of self-righteous Bible-thumpers should take a cue from their holy book and do the Christian thing: have some mercy and compassion.Read more at: red formal dresses| vintage formal dresses

بازدید :338
شنبه 30 بهمن 1395زمان :10:27
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It seems like you can't log into Facebook/Instagram/Snapchat these days without your feed being covered in wedding-related posts. Sharing photos of your engagement, bachelorette party, or wedding day can be a great way to show off your bridal bliss to your community, but does everyone you've ever met really need to know every time you try out a potential wedding-day nail-polish color or get in a fight with your wedding planner? When it comes to wedding-planning posts, at what point does sharing become oversharing, especially before the big day has even happened?

"As a bride, just like with any other milestone life event, you need to stop and think before you post," says Jodi R.R. Smith of Mannersmith Etiquette Consulting, "because there are a number of things that could be potentially hazardous to you and your event as you move forward." How much of the planning process you want to share on the Internet is inevitably a personal decision, but here are five things you should keep in mind about oversharing on social media before the big day.

Consider Who's Seeing Your Posts

Unless you want all 900 of your Facebook friends at your wedding (856 of whom you haven't spoken to since college), you may want to pause before you share certain details. "The second you get engaged, the minute you put it on your feed, everyone who follows you assumes they're close enough to be invited to the wedding," says Smith. "Because they were included in the initial excitement, they now feel they should be included in the event." Save sharing any specifics about the wedding (like the date and location) until you send save-the-dates; that way, only the people who are actually invited will know to show up at the event.

Realize You May Be Offending People

Remember how crappy it felt in high school when you didn't get invited to someone's Sweet 16? Even though you thought you two were close? And then you had to listen to everyone talk about it during lunch? For some of your Facebook and Instagram friends, that's what it will feel like when they realize they didn't make the cut for your big day. "Every time you post something, it's a reminder they're not included," says Smith. To avoid any hurt feelings, Smith suggests using technology to your advantage to create a private Facebook group or text thread so you can easily share any intimate details with your nearest and dearest, and anyone who's not going to be invited won't feel left out.

Maintain a Little Bit of Mystery

As far as things to look forward to on a wedding day go, the big dress/cake/venue reveals are some of the most exciting parts (aside from committing to spend the rest of your lives with someone you love, that is). "If a bride posts everything—every dress fitting, cake tasting, meeting with her wedding planner—there are really no surprises," says Smith. "As a bride, you don't want people to have wedding fatigue by the time they get to your event." Smith suggests posting about the wedding once every other day at most; anything beyond that can be overkill.

Don't Be Negative

It's no secret that wedding planning is stressful, and at times there will be things you'll want to complain about to anyone who will listen, but a social-media page is not the right place to air your grievances. "Getting resources and suggestions [from social media] can be good," says Smith, "but be careful about writing something that's specifically negative, like 'I went to this bakery and that was disgusting.'" There are many, many ways it can backfire on you (like if you end up having to order the "disgusting" cake you posted about for whatever reason), and it will end up sending some pretty major bridezilla vibes out into the community.

Make Sure You and Your Fiancé Are on the Same Page

This advice should go for the entire planning process (and for the relationship as a whole, really), but the two of you should have an honest conversation about how much you want to share in regard to the event so that no one feels uncomfortable. "The guideline is that you default to being more private rather than more public," says Smith. "You can always add additional information at a later date and share more later on, but once info is out there, it's impossible to take it back."Read more at: elegant evening dresses| formal dresses sydney

بازدید :292
پنجشنبه 28 بهمن 1395زمان :10:19
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Jessie J isn't one to follow beauty trends just because everyone else is.

The Bang Bang singer is back in the spotlight thanks to a new cosmetics collaboration with Make Up For Ever, which will see her help the brand create and front its new Artist line. When it comes to her own beauty looks Jessie isn't afraid to buck the norm and follow her own path.

"I'm not someone who follows a make-up trend because everyone else is doing it," she told Us Weekly's Stylish. "The contour thing, for example, is just not good on my face! So I avoid that. Or like the solid eyebrow isn't my vibe.

"I really like the natural look at the moment. I'm loving feeling clean and fresh - and I like a bushy soft eyebrow and a nude lip."

Because she loves the process of getting dolled up so much, the 28-year-old generally does her own make-up for red carpets, concerts and TV shows, which has made her something of a cosmetics pro. It stems from her passion for drawing, but because she's a perfectionist, creating the ideal beauty look can sometimes make her late for events.

As the first artist to start her own line with Make Up For Ever, the Price Tag singer is confident she's a great fit.

"I've been doing so much make-up stuff just for me, and Make Up For Ever really stands for artists and people that I like," she explained. "(The collection) is saying, 'This is what you can do and you can do it your way.' And that's what I'm about. I just want to make sure young women and young men and anyone around the world, whoever wants to wear make-up, knows that they can be who they are and do what they want to do."Read more at: black evening dress| navy blue formal dress

بازدید :368
جمعه 22 بهمن 1395زمان :10:43
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One of the biggest shows at Honolulu Fashion week didn’t come from a prestigious designer or a celebrity launching their own line. It wasn’t even from a local up-and-comer trying to make it to the big leagues. Rather, it was from a giant corporation in the hospitality industry: Hawaiian Airlines.

The company decided it was ready for a re-branding, so it commissioned a local Hawaiian designer, Sig Zane, to create new uniforms for its 5,000 front-facing staff members. The idea is that as soon as passengers interact with one of these employees, they will be able to get a feel for what the company is all about from the clothing.

During the afternoon show airline employees — not professional models — paraded the new collection down the runway. Every item of clothing contained great symbolism. Lehua blossoms and bamboo stamps, native plants used in hula ceremonies, were printed on shirts, ties, and linings. All of the items had various shades of purple and blue, meant to represent the stunning Pacific Ocean and the clear sky. The name of the collection is Kū Mākou, which means “Together We Stand.” As the show opened, employees sang a traditional chant that inspired the name.

These uniforms will be rolled out at the end of 2017, and only then will every passenger see them. But the fashion show and the project send a strong message: This brand cares about much more than airplanes.

“Because all we do is fly to and from the state of Hawaii, everything we do should reflect a sense of this place and its culture,” said Alex De Silva, Senior Specialist for External Communications at the airline. “We want to give our guests an engaging, authentic experience from the moment they get on our airplanes.”

Uniforms used to be an afterthought, something a company gave its staff because it had to clothe them, not because there was any marketing benefit. But now players in the hospitality industry are using them to enhance their brands and better serve their customers. They’re employing fashion designers, some big names and some emerging ones, to get these articles of clothing perfect.

For Hawaiian Airlines, it was important that their uniforms communicated stories about the culture and traditions of the state. “Even if the guest doesn’t know that this uniform was inspired by a certain chant that has a certain meaning, I think they will still see it in the coherence of the collection,” said De Silva.

Other airlines want to convey the fact that they are modern and chic. In October Delta unveiled new uniforms designed by Zac Posen that are said to be an antidote to the frumpy styles of the past. He changed their color from blue to “passport plum” and made them form-fitting and flexible. Martin Grant, an Australian designer who has clothed celebrities from Cate Blanchett to Tilda Swinton, created new uniforms for his country’s airline, Qantas Air. He went for fun, neon color blocks on his patterns.

Even The Avis Budget Group, the car rental company, has gotten on board with the trend. They hired Jeff Banks, a renowned British fashion designer, to create one look that could be used in every office across the world. A press release articulated that the idea is for customers to know that no matter where they are, they will get consistent service and products.

Boutique hotels across the country are using designer uniforms as extensions of their ambiance and decor.

Scriber’s Catskill Lodge, a new hotel in upstate New York, wanted guests to feel cozy and warm in the winter months. They tapped Swedish outdoors company Fjällräven to create plush winter coats for the valet staff and cozy knitted sweaters for those who work inside.

This summer The Watergate Hotel opened in the infamous building in Washington, D.C. The owners wanted to invoke the 1960s, the period when the structure was built, so they hired AMC’sMad Men costume designer Janie Bryant to create period uniforms. “Anytime a guest interacts with one of our associates, it’s another touchpoint for our glamorous retro vibe,” said Rakel Cohen, Senior Vice President of Design and Development for Euro Capital Properties that owns the hotel.

Jodi Moraru, an event planner in Washington, D.C., held a wedding there in November and was blown away by the uniforms. “It’s actually fabulous because you walk in, and you see their staff dressed as if it’s the 1960s,” she said. “It totally transports you back the second you look at them and it makes it a really fun and unique experience upon arrival.”

She said it made interacting with the staff a different experience as well. “It allowed them to take on a different persona,” she said. “It probably enhanced their performance.”

Some of these brands are using uniforms to celebrate local designers. Autograph Collection has a new property opening on January 18th in Columbus, Ohio named Hotel LeVeque. They chose Liz Bourgeois, a designer who had been making custom items for theatre and film close by. She created bespoke uniforms that matched the dark, sexy, smoking room-type environment of the hotel. “I love that uniforms are part of their marketing plan,” she said. “They are showing them off.” Hawaiian Airlines sourced all the materials for their uniforms locally and had them sewn in the state.

Staff members are also thrilled that they get to wear designer clothing — Many of these hotels employ big names like The Park Hyatt in New York has uniforms designed by Narciso Rodriguez — to work. Makaio Roberts, a Hawaiian Airlines flight attendant based in Honolulu, believes looking good makes you feel good, which makes you work harder. “Our uniforms are creating a unified environment that every employee is proud to be part of,” she said.

Aziza Jarifa, a 35-year-old front office manager for the Watergate Hotel said her uniforms make her enjoy going to work. “I feel glamorous at work every day, and I love to see people’s positive reactions when they compliment my uniform and I tell them who the designer is!” She said almost every guest or passerby comments on her uniforms, some even asking if they can buy it.

Many staff members are brought into the design process so they can add their input about what they need on a daily basis. “We had the designer shadowing the mechanic as he crawled into the belly of the aircraft to make sure his pants were cut in the right way, and he had pockets in the right place, and the loop that holds his walkie talkie is in the right place,” said De Silva. “This is something that looks good on the runway, but it has to work also.”

While it’s hard to measure the impact of designer uniforms on guests — do they even notice? — there is one clear trend in the travel industry: as people travel more, they want more authentic and more interesting experiences. These brands hope that if these visitors arrive at a place where the staff is dressed beautifully, it will create a more satisfying and stimulating environment.

Bourgeois knows her uniforms are helping out with that. “I think the customers will feel like they are in a very expensive place,” she said. “They can stay here and feel like they are getting a special experience.”Read more at: cheap formal dresses australia| red cocktail dress

بازدید :416
چهارشنبه 20 بهمن 1395زمان :9:14
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When it comes to inexpensive weddings, Arkansas takes the cake.
(Photo: www.marieaustralia.com/yellow-formal-dresses)

Congratulations, Arkansas! We are No. 1. We are first on a list!

And it's even a decent, downright desirable list! (This time we're not talking about having the highest obesity rate and -- contradictory as it might seem -- the highest rate of senior citizens who are hungry. Sad but true, we've topped both at the same time.)

Arkansas, we excel at ... cheapness!

That collective buzz you just heard was all the Natural State wives agreeing, "Mmmhmm! I know that's right!" about their spouses.

It's not that Arkansans are cheap, so much as we're savvy spenders. At least when it comes to getting married.

TheKnot.com wedding website (which the frugal know is free to use) just released its annual Knot 2016 Real Weddings Study, detailing various modern wedding statistics.

Bloomberg reported on the study, beginning the story this way: "Thinking of getting married? Move to Arkansas. That's where this increasingly expensive proposition is usually cheapest, according to a survey of 13,000 American brides and grooms who got hitched last year."

The study reveals the average 2016 wedding in the United States cost $35,329 (up from $32,641 in 2015). The intimidating wedding price tags don't even include the honeymoon, just the various ceremony and reception components, from the dress and flowers to the engagement ring and rehearsal dinner. (And we noticed a lot of items missing, at least from the bride's side: What about hair? Shoes? Makeup? Nails? Undergarments? Outfits to wear to showers? Presents for attendants? Tack on a few more hundreds or thousands there.)

In Arkansas? Weddings here cost much less than the national average -- "just" $19,522 (quotation marks used to emphasize that it's still a huge sum to splurge on just one day in an age when so many marriages dissolve, especially in Arkansas, a high-divorce-rate state).

Now $19.5K seems like a bridal bargain when compared to the average $78,454 Manhattan matrimony, the most expensive on the list. Those poor things.

Oh wait, but we earn less than those New Yorkers. The Bloomberg story points out that in 2015, the annual mean wage in Arkansas was $38,540, compared to $144,716 in Manhattan. We poor things.

Who is really poor are the bride's parents. They shoulder most (44 percent) of the wedding costs, while 42 percent is footed by the bride and groom. The groom's parents contribute a mere 13 percent.

Destination weddings are still popular, with 20 percent of couples choosing them (and they're really popular with your friends/family who can conveniently opt out of attending the faraway festivities. Oops, did I say that out loud?).

All of this has me thinking about a better way for Arkansas couples to do their I Dos.

Arkansas fiances need to find jobs in New York for their finances (if they can telecommute from Arkansas without actually living in expensive New York, that's even better). They need to select Arkansas for destination weddings (ooh, like Romance, that White County community with the cute name) and pay for them out of their own, fuller pockets. With all the money they are saving and investing, they can enjoy a honeymoon, put a down payment on an Arkansas house, start a college fund for their future children and even treat their parents to a trip.

Sources of marital discord -- money woes and tense family relations -- would disappear. Couples would stay together and truly live happily ever after.Read more at: www.marieaustralia.com/green-formal-dresses

بازدید :488
دوشنبه 18 بهمن 1395زمان :9:58
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For over twenty years, Patty Carroll has staged photographs using models, drapery, and household objects to create humorous, provocative photographic tableaux that comment on the role of women at home. Anonymous Women, published by Daylight Books, presents images of women in theatrical domestic scenes where their true identity is lost in the trappings of domesticity. These not-so-still-lifes are colorful, beautiful, and mysterious, articulating the many complex relationships, both personal and cultural, existing between women and the home.

What drove you to start this project?

The Anonymous Women project began while living in England, where my identity was determined by my domestic position. I found that in a more traditional culture than the United States, one’s domestic status often eclipses one’s professional or personal sense of self. Making photographs of vulnerable, stark heads hiding behind various domestic objects were my initial response to this predicament.

Returning home to live in the USA, while re-making a home and identity, home furnishings came to represent personal conflicted realms of laughter and sadness. Home-making, whether through physical renovation or by an internal sense of comfort, remains a constant, universal subject for many women. Whether external threats to safety and security are real or not, the home remains a place of peace. “Staying home” can be also a response for many women when life seems too overwhelming. The drapery pictures are about becoming the dwelling itself. I am addressing the sharp edges of domesticity: the home as a place of comfort, or a place where decoration becomes an obsession, where the woman is camouflaged by her domestic interior rendering her invisible. Comfort and safety are values that have grown in importance in our society, with claustrophobic or therapeutic consequences!

The drapery work was made when the war with Iraq was building. Issues of vulnerability, trust, safety, courage and absurdity weighed heavily on my mind then, and continue to linger daily. I think about the women who encounter real wars, internal conflicts, domestic abuse, and other threats – real or imagined. I also laugh at myself and other women, when we lose perspective and become possessed by our material goods.

In all cases, women need “A room of their own.” The images reference draped statues from the Renaissance, nuns in habits, women wearing the burka, the Virgin Mary, priests’ robes, ancient Greek and Roman dress, as well as judges’ robes.

Do you see it at the intersection of fashion and sociology?

Yes, absolutely. We women seem to always want to be beautiful, but we also want to be professional, respected, relevant and think independently. This work is about the larger state of women roles and their concerns, especially as it relates to the home, and all the conflicting issues surrounding it.

Do you feel influenced by fashion photography codes and esthetics?

Yes, and of course, no. Fashion photography can be extremely beautiful and inspiring, but is often based on other ideas. Nevertheless, as often as I am tired of fashion, I am equally fascinated and thrilled by it. In some ways this is about subverting fashion photography because you never see the model’s face, never see how the beautiful people are. Because the photographs are visually stimulating, they take some cues from fashion photography, but not the same content. I want my photographs to be both a critique and celebration of obsession, beauty and domesticity.

Were you interested in investing the woman’s place in different cultures?

I think all women (no matter what culture) have the same issues. We are mothers, aunts, grandmothers, daughters etc. who have hopes, aspirations, family, jobs, work that is both family and non-family, as well as issues and conflicts with all of it. We live in a complicated, contemporary society. Even in places that are more traditional or restricted, no matter what class or economic situation, women have many of the same problems and concerns worldwide. Having said that, living in a more traditional society, led me to thinking about all of this. If these pictures can touch women in some way, I have succeeded.

Do you shoot with real women whose personal history you reflect in your work?

No, although there are real women as the models, the photographs are not specifically about them. The pictures are about types of women rather than particular stories. Each of the images are really imaginary people based on many ideas and stories.Read more at: http://www.marieaustralia.com/white-formal-dresses| http://www.marieaustralia.com/red-formal-dresses

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دوشنبه 4 بهمن 1395زمان :12:46
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With Paris men’s fashion week coming to an end Sunday night, we pick out five of the big trends in the autumn-winter collections:

- The young ones -

Youth may be wasted on the young, as Oscar Wilde once quipped, but style isn’t, insisted the Paris shows, which went all-out to capture the hearts of millennials.

Rarely have the catwalks been so focused on teens and twenty-somethings.

The hoodie conquered all and skate kid chic was everywhere, with Japanese brand Facetasm going so far as to send its models out with what appeared to be fake acne.

The slogans that ran through The Etudes, Lanvin and Chinese brand Sankuanz shows were pure teen spirit, “Never mind”, “Nothing” and “Destroy”.

Dior’s Kris Van Assche, whose show was a rallying call for a “new tailoring” aimed at the young, summed up the adolescent fascination.

“I have always been drawn to the moment when boys become men and they are still clinging onto to dreams, desires and freedoms and haven’t yet slipped into the straitjacket,” he told AFP.

- Logos -

Not since the 1980s heydey of bling branding has fashion had such a fascination with logos.

Dior, Loewe, Balenciaga, Andrea Crews, Louis Vuitton, Icosae and even tastemaker in chief Dries Van Noten went logo a go-go.

Like much else these days you can blame/credit Georgian trendsetter Demna Gvasalia and his Vetements collective, who name-checked no less than 54 big brands in its last show.

Gvasalia was up to his old logo banditry tricks in his show for Balenciaga, appropriating Bernie Sander’s campaign logo, much to the US Democratic Party senator’s amusement.

There was less to smile about at Vuitton, where its collaboration with the super hip US street label Supreme had decidedly mixed reviews, with the New York Times calling it “the fashion version of a murder-suicide”.

- Women everywhere -

This was supposed to be men’s fashion week, but with so many women also on the catwalk you could be forgiven for thinking otherwise.

Mixed and gender-fluid shows have been a thing for a while, but now it has almost become the rule to have a few women models in men’s shows, much to the chagrin of some like Dior’s Van Assche who claims men’s clothes are losing definition.

Once he builds that wall, maybe President Donald Trump could come over and help restore some male pride. He does after all have his own Trump men’s clothing line.

- Vive the Establishment! -

The establishment may be a dirty word politically right now yet fashion can’t get enough of its stuffy symbolism.

The “in” colours of burnt gold, rust brown and red are nothing if not upper class, and aristocratic Prince of Wales overcheck tartan turned up in all sorts of unlikely places.

You would think you were at a grouse shoot looking at some of the fabric Paul Smith, Agnes b, Officine Generale, Alexandre Mattiussi, Kolor, Loewe, Berluti and Haider Ackermann put out.

Upper crust dandies abounded, most memorably at Ann Demeulemeester, with pinstripes also figuring strongly even among such cutting edge labels as Christian Dada and Henrik Vibskov.

- Trainers with everything -

Overall, however, informality was king—Paris being far too cool to be casual about anything. There was almost no formal wear at all apart from a handful of red-carpet two pieces at Agnes b and the odd outfit that might do at a stretch at Berluti, Ann Demeulemeester and Wooyoungmi.

Dress suits and evening wear appear to be over, trodden into the ground by the onward march of trainers, which were matched with everything from the couture heights of Dior to Balenciaga’s Frankenstein office suits to Vuitton, no longer a synonym for well-heeled where footwear is concerned anyway.Read more at: formal dresses

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